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Press
In the case of the latter show, a standalone follow-up to creator Mike Flanagan's Haunting of Hill House, Miller plays the perpetually lovely, gorgeously costumed housekeeper Hannah Grose. In the season's most shocking, twisty, and heartbreaking episode, it's revealed that she's actually been dead since episode 1
Episode 8 is named after Henry James’s short story, “The Romance of Certain Old Clothes,” and obviously that trunk of clothes is hugely significant to Viola’s arc. What is it about those dresses that have such meaning to her?..Well first, I need to talk about Lynn Falconer, who created all those gowns for Viola and Perdita—hours and hours of time was spent hand-creating each of those gowns that had their own corset and bustles and underskirts. The attention paid was amazing. I could not be more grateful for that…
This week Netflix held a very special costume design showcase. NETFLIX FYSEE was held at Raleigh Studios Stage E giving the remarkable talents of Jennifer Rogien (RUSSIAN DOLL), Beth Morgan (GLOW), Allyson Fanger (GRACE & FRANKIE), Kemal Harris (HOUSE OF CARDS), and Lynn Falconer (THE HAUNTING OF HILL HOUSE) …
Lynn Falconer, the show's costume designer, knows this better than anyone. The character’s costumes are imbued with significance—and not just the Crains’. This applies to the ghosts too. Falconer created costumes for Hill House’s spectral residents throughout the 20th Century, from the house’s construction in 1918 to the Crains’ stay in the summer of 1992, to the present day.
Joining the stable of Halloween thrillers and horror films, “Ouija: Origin of Evil” has taken an iconic gimmicky childhood relic back into the Sixties. While costumes are a current topic of conversation — with Halloween only days away — they’re something that Lynn Falconer thinks about year-round.
October marks the month of horror movies for many die-hard fans, with this season being no exception. Almost exactly two years after Universal Studio’s Ouija was released and became a surprise hit of the 2014 Halloween season grossing over 100 million dollars worldwide, the studio is hoping to dominate the holiday again with Ouija: Origin of Evil.
A cap sleeve black dress Angela Bassett wears in "Nothing But the Truth" spotlights her toned arms, lending a subtle physical authority to her role as editor of the fictitious Washington newspaper, The Capital Sun-Times. Was that intentional?